Showing posts with label Garrison Keillor. Show all posts
Showing posts with label Garrison Keillor. Show all posts

Friday, May 22, 2009

Featured Book Friday: A Poem by David Wagoner

Last night, for the first time this spring, the pieces finally all fell into place. The hurricane winds in Rexburg stopped. The cold disappeared. My children went strait to bed, and the sun powered out enough of a dusky, orange glow that I could read outside.

I grabbed a book, headed for the back porch, and plunked down in a lawn chair. After a few minutes, the two neighborhood teenagers on motorcycles who, for hours, had been terrorizing the late afternoon stillness called it a day. Then, a previously distracted parent realized it was his child screaming bloody murder in the backyard and tended to her. The workmen down the street finished re-shingling a roof and loaded up their air compressors, nail guns, and radio.

All at once, engines rested. Doors closed. The sun began to set. And the day-people vanished.

Then, I read this poem ten times over, stopping again and again to think, to listen, and to breathe it in.

Thank heavens for moments of stillness.

Thursday, May 14, 2009

Featured Book Friday: Two Good Poems

I've been a lousy blogger this week. I've been busy with work and home tasks, and I haven't, sadly, read as much of Good Poems as I'd like (though this "Featured Book Friday" post is showing up a few hours early, so that should count for something).

When I have read though, I've been glad I did. Good Poems is, I think, a true literary gem. Sure, there are probably much better collections of poetry in the world, and there are certainly smarter, more complex, more layered poems out there than the ones that appear in this book. In fact, if Good Poems has a flaw, it's that a lot of the poems in it are dangerously simple. Some of the poems are even downright coherent (gasp!).

But there's immense value in this simplicity. Too often, English professors and academics like me tend to value complexity and depth and even difficulty more than we value clarity and beauty. This is one reason, I think, I hear so many people complain about poetry and literature and English classes from their past.

You'd probably be surprised, incidentally, just how comfortable people are, after they find out I'm an English professor, throwing all of their literary angst in my direction -- "I hate poetry!", "You're not one of those professors who makes people agree with your interpretation, are you?", "You're an English professor? I'll be careful what I say around you" (conversation ends) .

Maybe there'd be less angst over literature in the world today if we taught more poems like the ones Garrison Keillor puts in this collection. Take this poem, for example, by Wendy Cope. It's so simple and easy to understand that I wouldn't hesitate teaching it to a class of children. It's got a playful, sing-songy meter and easy-to-listen-to, end-stopped rhymes. And yet, it's not mundane. It's important and captures the beauty that comes from simple pleasures.

Or consider this poem by Sheenagh Pugh. It's just a simple expression of well-wishing for the reader. People get this poetry. And yet, I could read this poem ten times, back-to-back, without getting bored. I could sit down to memorize it without growing tired of it.

These are the poems I most admire -- poems that are simple, but still beautiful; accessible, but still meaningful. Good Poems contains a host of these, and stumbling on one is like finding a twenty-dollar bill you'd forgotten about in your pants pocket.

"Oh," you think when you find it. "There's that wonderful little thing. I knew it had to be somewhere."

Tuesday, April 28, 2009

May's Featured Book: Good Poems

Since April is National Poetry Month, I've been spending more time over the past few weeks reading poetry than I normally do. This has been good for me for a lot of reasons. Here are two of them:

1. I've slowed down.

What is it about poetry that's just so dang relaxing? Now, I know that some of you who were forced to analyze poetry in college or high school will question just how relaxing poetry really is, but hear me out.

I felt so relaxed reading poetry this month because I was reading it of my own choice. I wasn't ever going to take a quiz on what I read, and I certainly wasn't ever going to write an essay and submit it for a grade. I wasn't even going to teach any of the poetry I was reading in my college classes. I was just reading poetry for fun.

This means I didn't have to feel any pressure while I read. If a poem was obscure and difficult, so what? I didn't have to get it. I didn't even have to finish it (and I'll admit, I read more than a few first halves of poems this month). Sometimes I read poems this month that didn't do anything for me other than show me one clever phrase or one interesting image. But so what? Isn't that enough?

Kicking back and reading poetry with a total disregard for whether I was "getting it right" proved liberating, and let me tell you, it's the most restful thing I've done in ages.

2. I've been paying more attention to words.

This month, I started reading billboards again. I started reading junk mail. I even started reading the printing at the tops and bottoms of receipts. I did this not because I cared any more about advertising or junk mail or receipts than I used to, but because I wanted to see if there were any interesting phrases or images in the words I'd been ignoring.

And it turns our, there are. I even found the perfect title for a short story I've been working on in a letter from a lawn care company. Reading poetry this month awakened me once again to a world of everyday words.

So, I'd like the WWADY featured book for May to be a book of poetry. I'd like you to have the same experiences I've had this month with words and poetry and peace.

For the month of May, then, I'd like to feature a book titled Good Poems, edited by Garrison Keillor. Admittedly, I'm kind of cheating on this one, as not all of the poets in the collection are still alive (e.g., William Shakespeare, Emily Dickinson, Robert Frost, and others), but I'd say that roughly 85% of the collection is made up of contemporary poetry.

And to those who shiver at the thought of reading poetry, let me say this: Good Poems is easy to read. The poems are meant to be accessible and decipherable (even the one from Shakespeare is pretty manageable). Good Poems is also organized by topic, and a few topics include "Music," "Lovers," "Day's Work," "Sons and Daughters," "Failure," and my personal favorite, "Complaint."

If it's been a while since you've really given poetry any attention, I'd ask that you get a book and read along with me. You'll be glad you did.
I'll make my first post on Good Poems on May 8th, so get your copy soon.